auditory mosaic

But electronic media proceed differently. Television, radio and the newspaper (at the point where it was linked with the telegraph) deal in auditory space, by which I mean that sphere of simultaneous relations created by the act of hearing. We hear from all directions at once; this creates a unique, unvisualizable space. The all-at-once-ness of auditory space is the exact opposite of lineality, of taking one thing at a time. It is very confusing to learn that the mosaic of a newspaper page is "auditory" in basic structure. This, however, is only to say that any pattern in which the components co-exist without direct, lineal hook-up or connection, creating a field of simultaneous relations, is auditory, even though some of its aspects can be seen. The items of news and advertising that exist under a newspaper dateline are interrelated only by that dateline. They have no interconnection of logic or statement. Yet they form a mosaic of corporate image whose parts are interpenetrating. Such is also the kind of order that tends to exist in a city or a culture. It is a kind of orchestral, resonating unity, not the unity of logical discourse.

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quantum retrocausality said...

The Book of Kells (Irish: Leabhar Cheanannais) (Dublin, Trinity College Library, MS A. I. (58), sometimes known as the Book of Columba) is an illuminated manuscript that is a masterwork of Western calligraphy and represents the pinnacle of Insular illumination. It is also widely regarded as Ireland's finest national treasure. Transcribed by Celtic monks ca. 800, it contains the four Gospels of the New Testament in Latin, together with various prefatory texts and tables. The text of the Gospels is largely drawn from the Vulgate, although it also includes several passages drawn from the earlier versions of the Bible known as the Vetus Latina.

The illustrations and ornamentation of the Book of Kells surpass that of other Insular Gospels in extravagance and complexity. The decoration combines traditional Christian iconography with the ornate swirling motifs typical of Insular art. Figures of humans, animals and mythical beasts together with intricate knotwork and interlacing patterns in vibrant colours enliven the manuscript's pages. Many of these minor decorative elements are imbued with Christian symbolism and so further emphasize the themes of the major illustrations.

The manuscript today comprises 340 folios and since 1953 has been bound in four volumes. The leaves are on high quality calf vellum, and the unprecedentedly elaborate ornamentation that covers them includes ten full-page illustrations and text pages that are vibrant with historiated initials and interlinear miniatures, and mark the furthest extension of the anti-classical and energetic qualities of Insular art. The Insular majuscule script of the text itself appears to be the work of at least three different scribes. The lettering is in iron-gall ink, and the colors used were derived from a wide range of substances, many of which were imports from distant lands.

The manuscript takes its name from the abbey in Kells that was its home for centuries. Today it is on permanent display at the library of Trinity College in Dublin, Ireland. The library usually displays two of the current four volumes at a time, one showing a major illustration and the other showing typical text pages.