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quantum retrocausality said...

The key to symbolist perception is in yielding the permission to objects to resonate with their own time and space. Time and space themselves are subjected to the uniform and continuous visual processing that provides us with the “connected and rational” world that is in fact only an isolated fragment of reality — the visual. There is no uniform and continuous character in the nonvisual modalities of space and time. The Symbolists freed themselves from visual conditions into the visionary world of the iconic and the auditory. Their art, to be visually oriented and literary man, seems haunted, magical and often incomprehensible. It is, in John Ruskin’s words:

… the expression, in a moment, by a series of symbols thrown together in bold and fearless connections; of truths which it would have taken a long time to express in any verbal way, and of which the connection is left for the beholder to work out for himself; the gaps, left or overleaped by the haste of the imagination, forming the grotesque character. (Modern Painters)

The art of the interval, rather than the art of the connection, is not only medieval but Oriental; above all, it is the art mode of instant electric culture.

- MM, Notes on Burroughs